Showing posts with label Hugo Awards. Show all posts
Showing posts with label Hugo Awards. Show all posts

Sunday, 17 May 2015

Boneshaker

Image sourced from here
I really wanted to love this book. I've been looking forward to reading it for years, and finally got the chance. Because of this, I've been sitting on this review. Mainly because the main word I have for this book is "disappointed".

The steampunk elements to the book are wonderful. I like the world, I like the premise. The catastrophe was interesting although never fully explained. There was so much to pull me along and to keep me engaged.

However, despite all this, the book never really grabbed me. The story had so much potential and just didn't seem to fulfill it. The world was fascinating, but never got explained or explored properly. The writing and the characters were somewhat wooden and never really drew you in or made you care. To be fair, some of the side characters where wonderful, but I never really cared for the main characters.

And the ending. I thought it was because I read the ending at 1am that I missed something, as it was a bit... meh. But I reread the last chapter a couple of days later as this was bothering me, and nope, missed nothing.

I will give Cherie Priest another go, I've seen her interviewed and actually really like *her*. Maybe another series before revisiting this one. But I would be prepared to revisit this world. I just hope that the next books have a little more oomph!


Tuesday, 20 August 2013

Jonathan Strange & Mr Norrell

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I finished this a few weeks ago. I had to digest it. In fact I started it on the plane to Thailand, but this thing is an absolute MAMMOTH of a book. And it does make sense as it tries to take on a incredibly large scope of things.

What the book is the story of two magicians, Jonathan Strange and Mr Norrell (didn't see *that* twist coming, did you!), trying to bring the art and practice of magic back to England. There are many theoretical magicians still around, but no one has managed to do a magic spell for hundreds of years. Well, until these guys pop along. This is quite an epic story in itself. Throw in an entire alternative history of England including it's folklore and myths, which involves magic and faeries being commonplace and integral to this history, and it turns into this tome. That the North and the South of England were different kingdoms, with the North ruled over by a magical king called the Raven King. And then there are all the other stories that tie in and out of the main plot.

It is a clever book. It reads like a Georgian, Industrial Revolution period book. It has the feel, the language and the tone. It's a bit of a shock when you remember it was only published 9 years ago. It's subtle and sarcastic. I found the sarcasm perfect in fact, I would read parts with a smug smirk on my face.

But it's so LONG. It's slow to start. I'm glad I gave it go number two on the plane over there, as I had nothing else to read (and I was NOT going to re-read Invisible Monsters) as I pushed through the first 200pp or so, and was really enjoying it when we landed and I was at page 400 or so. But then the middle of the book could have cut down a bit. Just a bit. I felt there was a bit too much same same at one point. The ending while pretty good, just I felt wasn't as epic as I deserved for investing myself in 1008pp. It was good, don't get me wrong, it was just... subtle.. again.

Overall I really enjoyed the book. I wanted to settle for a bit, to see what I thought after a few weeks. And I am the same. It was a 4 star book. I am glad I read it. I'm not annoyed I read over a thousand pages for what I got, as in the end I got a wonderful story about magic and magicians and alternate history and a wealth more of stories and lore to file away. And really, it confirmed that Yorkshire is an inherently magical place. That's worth reading a book for *wink*.


Tuesday, 4 June 2013

Midnight Robber - #34

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Sick of all those sci fi books where the entire universe seems to be painted with an Anglo-Western brush in an American accent? Then this is the book for you.

Midnight Robber is set in a world where it's not the Americans or the Euros or the Asians who have colonised. This is a world evolved from and is so obviously Caribbean. It is the story of a girl called Tan-Tan who lives in this technologically advanced world, but then her father commits a crime that results in him being sent to a parallel world. Tan-Tan sneaks off with him, not knowing  that means never coming back. It's the story of Tan-Tan in this other other world, dealing with not only a more primitive version of her world, but also the creatures and other species in it that come right out of her Anansi stories.

This book is fantastic. It takes a well known theme of colonised, technologically advanced, new worlds and throws it on it's head. It's world building is phenomenal in my mind. I bought it all. A world where people don't have to do hard labour anymore and look down on those who do. Implants in your head feeding you information. Sending criminals away to a different version of your world so you don't have to deal with them. The culture of the douen. The tie ins to all the Anansi mythology and stories (some of which my Trinidadian friend had just told us about at dinner the other day). Loved it.

Not only that, it's written in a form of Creole. I assume it's pretty anglicised so those of us outside of the Caribbean cultures (and no doubt Creole changes from island to island) can understand it. But it adds a whole new element to immersing you into that world. It's clever. Each part of the book starts with a folklore story as well, so you feel you are sitting around a fire being told a story by a wise woman.

Because of this language however, I would say that it took me a lot longer that normal to read the first third of the book. You can't skim this one. You have to think through the sentences. You have to flip the words round and make them fit. You have to think back to what "doux-doux" or "pickney" meant. This gets easier though, as you get used to the grammar being not quite how we use it, the rhythm of the language, and words that get used again and again fall into your own vocab (like the above). It gets faster as the story gets faster. You get whisked along with it.

But for me, the climax failed. I couldn't relate to Tan-Tan anymore. She became someone I couldn't understand or empathise with. She was so incredibly selfish. All the other characters I loved though and felt so strongly for them, but not Tan-Tan. Then the ending for me was disappointing. One because I thought it was a lame end for Tan-Tan's story. But mainly it forgot about all those other characters I fell in love with in the book. I once again thought I was on to a 5 star read and the last 70 or so pages failed me.

It was sad, but I am so glad I read it. I am going to read more of Nalo Hopkinson's stuff as others who have said the same as me have recommended other reads of hers. I wanted a different sci-fi with an immersive world, and that's what I got. I wanted to start reading more books that had won awards like the Hugo, and I can see why it was shortlisted (it lost to a Harry Potter and was against a Song of Ice and Fire book. Tough competition). And it threw me into a culture I didn't know much about. And when it comes down to it, that's why I'm doing this challenge.



Friday, 3 May 2013

Ender's Game

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Alright. I read it. Our relationship can survive to be fought over normal relationship matters now, not the fact I haven't read his favourite book.

There was a threat made earlier this year that after all these years of not reading Lexx's favourite book, the crunch time was coming that he may leave me if I did not. I decided it was prudent to read the book, and not see how much of this threat was jest and how much truth was behind it.

I put it off honestly as I don't do spaceships. I just have an aversion to them. I don't know why, but it may have something to do with the fact my darling brother watched Star Wars and Return of the Jedi everyday for over 6 years. He would have watched The Empire Strikes Back too but we "lost" it at some point (I may need to thank my parents for this fact). So I procrastinated and read many other interesting things. I also put it off when I found out Orson Scott Card is a complete nutter and a rabid homophobe. But I finally picked it up.

It was a good read. I don't think it was fantastic, but I wonder what I would have thought as a young adult. But I did enjoy it a lot more than I was expecting.

First of all though, I had problems with believing Ender was the age he was. I had a very hard time suspending that belief. Once he ages, it was easier, but it was still slightly unbelievable. I mentioned this and got a long lecture about how they were genetically engineered kids and such. But still. I like some believability in my genetically engineered geniuses.

The bit I loved about the book the most I can't talk about. It's annoying but it all happened in the spoiler part of the book. To summarise as best I can though, the twist is great. I gasped audibly when it came. And the last 10 pages I left last night, as it was late and I was tired, and I wish I hadn't at all. I am so glad it ended where and how it did.

I believe I will enjoy Speaker for the Dead more. It's apparently more philosophical and political than Ender's battles and strategy. I read today that Speaker was actually the story he wanted to write, but he needed the back story and it got complicated.

I'm glad it did as I liked Ender. Really liked, he's a great protagonist. You can understand him, you understand his decisions, and above all you emphasise with him immensely. I liked Bean (he was good for a giggle) and some of the others, but no one as much as Ender. I recommend it highly. But just don't buy it new. Borrow it, secondhand bookshop it, whatever. And if you have to read one book to possibly save your relationship, there are millions of worse things to read ;)


Friday, 28 December 2012

The Windup Girl - #24


When I started this challenge, I asked on Facebook for recommendations from other countries that people had read. I had Danish and Swedish friends recommending lots of Scandinavian lit, Czech friends providing opinions on a large range of European lit, Sri Lankian friends suggesting relevant selections, language students from all over suggesting other texts, linguist friends recommending everything! But the one that sparked my interest the most was a quiet suggestion to read this book, set in Thailand.

Reading the review there were a few things that sparked my interest. Hugo award winning always a plus. Steampunk huge win. Dystopia also a good sign. But the Thailand thing confused me. Why on earth Thailand? Why would that work? I need to read this!!

So I did, and am so very, very glad my friend Dennis told me too. 


The book is set about 100 years in the future. Everything that is a possibility now has gone wrong. Climate change, rising sea levels, near exhaustion of fossil fuels, genetic engineering and the subsequent control of food sources through corporations. Incredibly close to reality and then taken that step further. A good dystopia for me is one that is completely within the realms of possibility that terrifies you slightly. And makes you reconsider your choices. This book did that for me.

So the Thailand connection is that the Kingdom of Thailand is one of the best placed countries after the Expansion (what we are in now) and then the subsequent Contraction. They also closed and then strictly monitored their borders and limited imports as so to keep plagues and diseases out of the country. So far it worked. There was a lot of tech explanation at the beginning of this book to explain the world, what had happened and how it worked. There is very, very limited fossil fuels for example so explaining how the factories work with genetically engineered elephants (megadonts) winding large spindles, and hand-crank radios back in vogue and such. Be prepared to stick with it, but the book I feel is worth it.

The story otherwise was fascinating. The idea of a Windup Girl and her issues, problems and trials where great. I really liked Emiko herself as well. I emphasised a lot with her. While some of the scenes with her were possibly unnecessary they really made me understand her story's climax. And cheer her on!! Maybe this makes me a horrible, callous person, but as a true Aussie, I love an underdog.

The character of Hock Seng, while he really annoyed me at times as a person, I felt for him and his story as a refugee. He is Malaysian-Chinese, and in this world all ethnic Chinese ended up being driven from Malaysia, as the vast majority of them were ethnically cleansed. "Driven" I mean escaped. The refugees are called Yellow Cards in Thailand and are second class citizens. The story of Malaya and the Green Headbands is not again unimaginable with the rise of extremists of all different types of religions, especially in SE Asia. The interaction between the Malayan Chinese and the Thais I found heartbreaking. The contempt and thinly veiled malice was a little too true to home. The control through labels and cards. I worry as the last two governments in Australia have had such terrible policies on refugees that this is not such a dystopian future for us, it may be tomorrow... That is one of the truly terrifying parts of this book.

Otherwise, I really enjoyed going into Kanya's story and her own back story and where she had ended up. She and Jaidee were a welcome surprise as they aren't mentioned any where I found as main characters, yet they really are. At 500pp though, we needed a few more main characters. These guys provided the story beautifully.

For me, the book ticked all the boxes. Good story. Disconcerting, realistic dystopia. The essence of Thailand with the heat, humidity and mangosteens (yum yum yum). Read it